![]() The disco tinges in the latter merely add to the catastrophe. Similarly, “Fire on the Mountain” and “Shakedown Street” suffer from too much strain and not enough revving up musically. Both “Good Lovin'” and “All New Minglewood Blues” feature aimless ensemble work and vocals that Bob Weir should never have attempted. Over the years, the Dead have shown a knack for turning even the most undistinguished material into something at least moderately interesting. You can hear echoes of inventive reverberation and some crosscut grittiness in the percussive “Serengetti,” while the seductive “France” gets off the ground in spots - but two songs make a single, not an album. The punch that producer Keith Olsen provided on Terrapin Station, the Grateful Dead’s last LP, has all but vanished here, and Olsen’s successor, the usually reliable Lowell George, offers almost nothing to replace it. Kennedy Stadium, Washington, D.C.With few exceptions, Shakedown Street, rife with blind intersections, comes across as an artistic dead end. Shrine Exposition Hall, Los Angeles, CA.30 Trips Around the Sun: The Definitive Live Story 1965–1995.Family Dog at the Great Highway, San Francisco, CA 4/18/70., the official site of the Grateful Dead.^ "Bonnaroo Top 5 Activities: #4-Shakedown Street"."Shakedown Street - Grateful Dead | Songs, Reviews, Credits". Dark Star Orchestra Phil Lesh & Friends Grateful Dead Ratdog Playing Dead Joe Russos Almost D Yonder Mountain Stri The Allman Betts Band Forgotten Space. "The Grateful Dead Shakedown Street Album Review". ^ a b "Grateful Dead Family Discography: Shakedown Street".^ "Grateful Dead Family Discography: Shakedown Street / France".In 2013, the song was featured in The Simpsons episode " Homerland". In 1979 "Shakedown Street", along with the rest of the album, hit a peak of 41 on the Billboard top 200 chart as a standalone single, the song failed to chart. Live, it was also played in a slower R&B groove than the fast "disco" pace on the album. When performed live, the band tended to extend the song's ending with instrumental jamming. "Shakedown Street" was one of three songs composed by Jerry Garcia and Robert Hunter on the album to be added to the band's live songbook, and was from time to time the band's opening song. ĭespite the album's overall criticism the song "Shakedown Street" would eventually go on to have its own success. I had a tremendous amount of respect for him. That was one of the ways he'd communicate, and it worked great. If we were working on a song and he didn't feel it was going right, he'd just grab a guitar and come into the studio and show us how he felt it. THE GRATEFUL DEAD SHAKEDOWN STREET (CD) 1 Good Lovin 4:51 2 France 4:03 3 Shakedown Street 4:59 4 Serengetti 1:59 5 Fire On The Mountain 3:46 6 I Need. Lowell was really like a member of the band more. However, even despite critics' doubts in Lowell's ability, band member Bill Kreutzmann stated in an interview: Another factor which heavily contributed to the album's poor organization was that first-time producer Lowell George was at the time under pressure with his band Little Feat. Modern music critic Stephen Erlewine credits the album’s struggles to the unexpected use of disco and the primary use of Donna Jean Godchaux. Gary Terch from Rolling Stone said it “comes across as an artistic dead end” and “The disco tinges in the latter merely add to the catastrophe”. The album Shakedown Street received heavy criticism for being choppy and poorly produced. ![]() "Shakedown Street" is found on the band's original album Shakedown Street (1978) as well as single recordings on Shakedown Street/France (1979), and Alabama Getaway/Shakedown Street (1981). The recording took place throughout Jand August 18, 1978. The song was recorded and mixed at the band's studio, Club Le Front, in San Rafael, California. "Shakedown Street" was produced by Lowell George.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |